02012cam a2200385 i 4500001001300000003000600013007000300019008004100022020002500063020002200088020002500110020002200135035002200157050002600179100001900205245011400224260005700338300002400395490003500419504005100454505037700505520021600882610003301098650008101131650007301212650002501285650004201310650004901352651003601401651001901437830003201456942001201488952011101500999001501611on1144469869OCoLCta210223s2020    nyua     b    001 0 eng    a9781501753916 (pbk.)  a1501753916 (pbk.)  a9781501752315 (hbk.)  a1501752316 (hbk.)  a(OCoLC)1144469869  aPN1993.5.A8bL44 20201 aLee, Sangjoon.10aCinema and the cultural Cold War :bUS diplomacy and the origins of the Asian cinema network /cSangjoon Lee.  aIthaca, New York :bCornell University Press,c2020.  axvi, 291 p. :bill.1 aThe United States in the world  aIncludes bibliographical references and index.0 aThe Asia Foundation's Motion Picture Project -- The FPA, US Propaganda, and Postwar Japanese Cinema -- It's "Oscar" Time in Asia! -- Constructing the Anti-Communist Producers' Alliance -- Projecting Asian Cinema to the World -- The Rise and Demise of a Developmental State Studio -- Hong Kong, Hollywood, and The End of the Network -- Epilogue : From Asia to Asia-Pacific.  a"This book explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War cultural politics"--24aAsia Foundation xInfluence. 4aMotion picture industry xPolitical aspects xHistory zAsia y20th century. 4aMotion pictures xPolitical aspects xHistory zAsia y20th century. 4aCold warxInfluence. 4aCommunism and motion pictures zAsia. 4aMotion pictures and transnationalism zAsia. 4aAsiaxRelationszUnited States. 4aUnited States. 0aUnited States in the world.  2lcccBK  00104070aPNLIBbPNLIBcGENd2021-06-17oPN1993.5.A8 L44 2020pPNLIB21061238r2021-06-17w2021-06-17yBK  c1424d1424