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  <titleInfo>
    <title>Mass photography</title>
    <subTitle>collective histories of everyday life</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Pollen, Annebella.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">enk</placeTerm>
    </place>
    <place>
      <placeTerm type="text">London</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>I.B. Tauris &amp; Co. Ltd.</publisher>
    <dateIssued>2016</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xiii, 245 p., [8] p. of plates : ill (some col.)</extent>
  </physicalDescription>
  <abstract>With increasingly accessible camera technology available, crowdsourced collective histories of everyday life, harnessing amateur photographers to secure a snapshot of a single day, abound like never before. 'Mass photography' assesses the potential of these popular moment-intime projects by examining their historical predecessors. For the first time, it views the vast photographic collections resulting from such projects, analysing their structures and systems, their aims and objectives, and their claims and promises. The central case study is of 55,000 photographs submitted to One Day for Life in 1987, which aimed, in its own time, to be 'the biggest photographic event the world had ever seen'. 'Mass photography' also makes a new and valuable contribution by taking a fresh look at amateur photographic practice on an unprecedented scale.</abstract>
  <note type="statement of responsibility">Annebella Pollen.</note>
  <note>Includes bibliographical references (p. 226-240) and index.</note>
  <subject>
    <geographicCode authority="marcgac">e-uk---</geographicCode>
  </subject>
  <subject authority="lcsh">
    <topic>Vernacular photography</topic>
    <geographic>Great Britain</geographic>
    <topic>History</topic>
    <temporal>20th century</temporal>
    <topic>Case studies</topic>
  </subject>
  <subject>
    <topic>Vernacular photography</topic>
    <topic>Social aspects</topic>
  </subject>
  <subject>
    <topic>Photography</topic>
    <geographic>Great Britain</geographic>
    <topic>History</topic>
  </subject>
  <classification authority="lcc">TR145 .P66 2016</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>International library of visual culture ; 20</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">9781784530112 (hbk)</identifier>
  <identifier type="isbn">1784530115 (hbk)</identifier>
  <identifier type="isbn" invalid="yes"/>
  <recordInfo>
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    <recordCreationDate encoding="marc">210305</recordCreationDate>
    <recordIdentifier source="OCoLC">ocn909250433</recordIdentifier>
    <languageOfCataloging>
      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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