03363cam a2200337 i 4500001001300000003000600013007000300019008004100022020001800063020001500081035002200096050002100118100001800139245013000157250001200287260006400299300002400363490001900387504005100406505046200457520168200919650006302601650006002664650005202724650005602776650004002832830002002872942001202892952010602904999001503010on1159605807OCoLCta210517s2021    paua     b    001 0 eng    a9780812252866  a0812252861  a(OCoLC)1159605807  aPQ283b.R49 20211 aRexer, Raisa.14aThe fallen veil :ba literary and cultural history of the photographic nude in nineteenth-century France /cRaisa Adah Rexer.  a1st ed.  aPhiladelphia : bUniversity of Pennsylvania Press, cc2021.  axii, 300 p. :bill.1 aMaterial texts  aIncludes bibliographical references and index.0 aPart I. The Second Empire -- Chapter 1. Art, obscenity, and censorship : 1839-1870 -- Chapter 2. The judgment of Phryne, or, the model's meaning -- Chapter 3. Baudelaire's bodies -- Chapter 4. Manette Salomon and anti- modernity -- Part II. The Third Republic -- Chapter 5. The rise of an international industry : 1870-1900 -- Chapter 6. The dangerous streets -- Chapter 7. Nana in the nude -- Chapter 8. Maizeroy and the feminist photo-novel -- Conclusion.  aThis book offers the first comprehensive overview of the historical development of photographic nude images and their central role in nineteenth-century French culture. The nude photograph generated its own discourse, its own anxieties about society, obscenity, and art. No account of attitudes toward sexuality, the rights of women, the history of censorship, or the history of art in the nineteenth century can be complete without accounting for these photographs. This book necessarily involves the visual analysis of the photographs themselves and their unique patterns of representation. Its focus, however, will not be on the images as much as the narrative about nude photography that emerges out of its inscription-whether through allusion or ekphrasis-into a wide range of nineteenth-century texts, including newspapers, magazines, government records, and fiction and nonfiction books. As it turns out, nude photographs exerted a particularly marked influence on contemporary literary production. In the works of the authors in this study, the photographic nude stands at the nexus of concerns about changing modes of artistic representation, about the limits of art and obscenity and the government's role in setting those limits, and about modern industrial capitalism's effect on both art production on the one hand and sexual mores on the other. Although they worked in text rather than image, these authors felt the shock of this novel way of representing the body. The nude photograph provides a new set of terms by which to reconsider some of the century's most well-known literary figures, including Charles Baudelaire, Émile Zola, and the Goncourt brothers. 4aLiterature and photographyzFrancexHistoryy19th century. 4aFrench literaturey19th centuryxHistory and criticism. 4aPhotography of the nudexHistoryy19th century. 4aPhotographyxSocial aspectsxHistoryy19th century. 4aNude in artxHistoryy19th century. 0aMaterial texts.  2lcccBK  00104070aPNLIBbPNLIBcGENd2021-06-17oPQ283 .R49 2021pPNLIB21061610r2021-06-17w2021-06-17yBK  c1797d1797