<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <nonSort>The </nonSort>
    <title>art of wearing a trench coat</title>
    <subTitle>stories</subTitle>
  </titleInfo>
  <titleInfo type="alternative">
    <title>L'art de portar gavardina</title>
  </titleInfo>
  <name type="personal">
    <namePart>Pamies, Sergi</namePart>
    <namePart type="date">1960-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>West, Adrian Nathan.</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Other Press</publisher>
    <dateIssued>c2021</dateIssued>
    <dateIssued encoding="marc">2021</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>121 p.</extent>
  </physicalDescription>
  <abstract>"A baker's dozen of short stories that hinge on three types of love: between couples, and toward one's parents and one's children. This slim, intimate volume of thirteen stories explores paternal, filial, and spousal love (and disappointment, and nostalgia, and panic) through a narrator who bemoans his inability to wear a trench coat well, and who finally accuses himself of being "pusillanimous." Yet in these encounters and these endings, in these details and these feelings, a compassionate, small portrait of a life emerges. Terse, droll, sometimes absurd but always lucid, Pàmies casts his gaze on the urge to write as seen through his mother's final days; on his teenage fantasy that his father was actually Jorge Semprún; and on situations such as adopting a dog to staunch a failing marriage, or a father asked to play the part of a corpse in his son's short film. In this phantasmagoria of failure and loss, Pàmies confronts us-drawing us in with his use of the second person address-with the omnipresence of well-intentioned lies despite which it may be impossible to ever make anyone else happy"--</abstract>
  <note type="statement of responsibility">Sergi Pàmies ; translated from the Catalan by Adrian Nathan West.</note>
  <note>Originally published in Catalan as L'art de portar gavardina in 2018.</note>
  <identifier type="isbn">9781635420784 (paperback)</identifier>
  <identifier type="isbn">1635420784 (paperback)</identifier>
  <identifier type="lccn">2020029876</identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">210423</recordCreationDate>
    <recordIdentifier source="OCoLC">on1160036280</recordIdentifier>
  </recordInfo>
</mods>
