01657cam a2200253 i 4500 on1100425800 OCoLC ta 210420s2020 ilua b 001 0 eng d 2019014786 9780226672007 (pbk.) 022667200X (pbk.) (OCoLC)1100425800 (OCoLC)1235879335 PN1993.5.U6 P57 2020 Pippin, Robert B., 1948- Filmed thought : cinema as reflective form / Robert B. Pippin. Chicago : University of Chicago Press, 2020. 271 p., 32 unnumbered p. of plates : col. ill. Includes bibliographical references and index. Section I Cinema as reflective form -- Cinematic reflection -- Cinematic self-consciousness in Alfred Hitchcock's Rear Window -- Moral variations -- Section II Moral variations -- Devils and angels in Pedro Almodóvar's Talk to Her -- Confounding morality in Alfred Hitchcock's Shadow of a Doubt -- Section III Social pathologies -- Cinematic tone in Roman Polanski's Chinatown: can "life" itself be "false"? -- Love and class in Douglas Sirk's All That Heaven Allows -- Section IV Irony and mutuality -- Cinematic irony: the strange case of Nicholas Ray's Johnny Guitar -- Passive and active skepticism in Nicholas Ray's In a Lonely Place -- Section V Agency and meaning -- Vernacular metaphysics: on Terrence Malick's The Thin Red Line -- Psychology degree zero? the representation of action in the films of the Dardenne Brothers. Motion pictures United States History and criticism. Motion pictures Aesthetics. lcc BK 0 0 0 0 PNLIB PNLIB GEN 2021-06-17 PN1993.5.U6 P57 2020 PNLIB21062365 2021-06-17 2021-06-17 BK 2552 2552