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  <titleInfo>
    <title>Women, music, culture</title>
    <subTitle>an introduction</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Dunbar, Julie C.</namePart>
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  <originInfo>
    <place>
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    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Routledge</publisher>
    <dateIssued>2021</dateIssued>
    <edition>3rd ed.</edition>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xvi, 400 p. : ill.</extent>
  </physicalDescription>
  <abstract>"Women, Music, Culture: An Introduction, Third Edition is the first undergraduate textbook on the history and contributions of women in a variety of musical genres and professions, ideal for students in Music and Gender Studies courses. A compelling narrative, accompanied by 112 guided listening experiences, brings the world of women in music to life. The author employs a wide array of pedagogical aides, including a running glossary and a comprehensive companion website with links to Spotify playlists and supplementary videos for each chapter. The musical work of women throughout history-including that of composers, performers, conductors, technicians, and music industry personnel-is presented using both art music and popular music examples"--</abstract>
  <tableOfContents>Telling musical stories : missing voices in the documentation of musical traditions. Reflections on "deep listening" : exploring music in context ; Medieval liturgical roots and the documentation of the Western canon ; Women in "world" music : an expanded view of global narratives -- Restricted domains : gender spheres in art music. Court performers of Japan, India, and Europe : freedom and restriction ; Baroque keyboard and vocal genres : gender roles in musical families ; Eighteenth-century Classicism : revisiting Vienna ; Romantic-era performer/composers : walking the public/private line -- Visual images in an aural world. American popular music : 1895-1945 ; Empowered voices in the public eye : women of gospel and blues ; Visual media and the marketing of women performers -- A time of change : the impact of education on women's art music activity. Changing gender roles : from nineteenth-century opera to the modern musical ; Segregation and integration : instrumental ensembles from 1900 to the present ; Large-scale works and experimental voices -- No longer "one of the boys". Instrumental to jazz : the forgotten role of women ; Music technology in the hands of women ; A new message: taking charge in the mass music market.</tableOfContents>
  <tableOfContents>Telling musical stories : missing voices in the documentation of musical traditions. Reflections on "deep listening" : exploring music in context ; Medieval liturgical roots and the documentation of the Western canon ; Women in "world" music : an expanded view of global narratives -- Restricted domains : gender spheres in art music. Court performers of Japan, India, and Europe : freedom and restriction ; Baroque keyboard and vocal genres : gender roles in musical families ; Eighteenth-century Classicism : revisiting Vienna ; Romantic-era performer/composers : walking the public/private line -- Visual images in an aural world. American popular music : 1895-1945 ; Empowered voices in the public eye : women of gospel and blues ; Visual media and the marketing of women performers -- A time of change : the impact of education on women's art music activity. Changing gender roles : from nineteenth-century opera to the modern musical ; Segregation and integration : instrumental ensembles from 1900 to the present ; Large-scale works and experimental voices -- No longer "one of the boys". Instrumental to jazz : the forgotten role of women ; Technology in the hands of women: art music, multimedia, and popular music ; Popular music as a feminist platform : women in charge of production and management.</tableOfContents>
  <note type="statement of responsibility">Julie C. Dunbar.</note>
  <note>Includes bibliographical references and index.</note>
  <subject>
    <topic>Women musicians</topic>
  </subject>
  <subject>
    <topic>Feminism and music</topic>
  </subject>
  <subject>
    <topic>Gender identity in music</topic>
  </subject>
  <subject>
    <topic>Women composers</topic>
  </subject>
  <subject>
    <topic>Music</topic>
    <topic>Social aspects</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Music by women composers</topic>
    <topic>History and criticism</topic>
  </subject>
  <classification authority="lcc">ML82 .D863 2021</classification>
  <identifier type="isbn">9780367138127 (paperback)</identifier>
  <identifier type="isbn">0367138123 (paperback)</identifier>
  <identifier type="isbn">9780367138110 (hardback)</identifier>
  <identifier type="isbn">0367138115 (hardback)</identifier>
  <identifier type="lccn">2020034917</identifier>
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    <recordIdentifier source="OCoLC">on1200038423</recordIdentifier>
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      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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