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  <titleInfo>
    <title>Disinformation in mass media</title>
    <subTitle>Gluck, Piccinni, and the Journal de Paris</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Jerold, Beverly</namePart>
    <namePart type="date">1938-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">enk</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Abingdon, Oxon</placeTerm>
    </place>
    <publisher>Routledge</publisher>
    <dateIssued>2021</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>x, 134 p. : ill.</extent>
  </physicalDescription>
  <abstract>"The founding in 1777 of the Journal de Paris, France's first daily and distinctly commercial paper, represents an early use of disinformation as a tool for political gain, profit, and societal division. To attract a large readership and bar competition for C. W. Gluck's works at the Paris Opéra, it launched a prolonged campaign of anonymous lies, mockery and defamation against two prominent members of the Académie Française who wished the Opéra to be open to all deserving composers, but lacked a comparable daily forum with which to defend themselves. In this unique episode, music served as a smokescreen for nefarious activity. No musical knowledge is necessary to follow this purely political drama, in which the tactics employed bear a remarkable resemblance to current events"--</abstract>
  <tableOfContents>The Cast and Setting -- Arnaud's Correspondence to Italy -- The Journal de Paris on the Offensive -- Libel of La Harpe by Allusion -- The Armide Episode -- Piccinni's Opera and Further Events -- Disinterested Observers -- Profit and Power.</tableOfContents>
  <note type="statement of responsibility">Beverly Jerold.</note>
  <note>Includes bibliographical references (p. [vi]-x) and index.</note>
  <subject>
    <titleInfo>
      <title>Journal de Paris</title>
    </titleInfo>
  </subject>
  <subject>
    <topic>Gluck-Piccinni controversy</topic>
  </subject>
  <subject>
    <topic>Musical criticism</topic>
    <geographic>France</geographic>
    <topic>History</topic>
    <temporal>18th century</temporal>
  </subject>
  <subject>
    <topic>Opera</topic>
    <geographic>France</geographic>
    <temporal>18th century</temporal>
  </subject>
  <subject>
    <topic>Opera</topic>
    <geographic>Italy</geographic>
    <temporal>18th century</temporal>
  </subject>
  <classification authority="lcc">ML1727.35 .J47 2021</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Royal Musical Association monographs ; no. 36</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">9780367350178 (hbk.)</identifier>
  <identifier type="isbn">0367350173 (hbk.)</identifier>
  <identifier type="lccn">2020008391</identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">210505</recordCreationDate>
    <recordIdentifier source="OCoLC">on1142348763</recordIdentifier>
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